Seven volumes of the most authentic live horn loops available for music production — all in one bundle.

Dread Hornz takes its inspiration from the classic 70s horn-driven reggae recordings of Jamaica. Think of The Abyssinians' haunting horns on Satta Massagana, Burning Spear's majestic intensity, and Marley's anthemic horn stabs that punctuated his lyrics. The slightly bent notes, the lagged playing style, the beautiful imperfections, the plaintive, hypnotic melancholy — that is the essence of Dread Hornz.

Seven volumes. 26.6GB. 8,466 loops and 948 one-shots covering the full spectrum of horn production across reggae, dub, ska, steppers, jungle, dancehall, hip hop, and beyond.

Every volume includes the full horn section — Trumpet, Tenor Sax and Trombone — recorded dry and in multiple FX versions for maximum flexibility:

• Dry — raw recordings, start from scratch
• Dub — tape echo reverb/delay, Roland RE-201 Space Echo
• LoFi — dusty vintage vinyl character
• Filter — classic dub filter movement
• Phase — Lee "Scratch" Perry-style phaser
• Spring Reverb — 70s Jamaican ambience
• Multi FX — flanger, chorus, compression, imaging
• SpaceEcho — UAD Roland RE-201 emulation

Each volume contains multiple song folders with complete horn lines, individual instrument stems, riffs, stabs, sustained notes, swells, chords, and cut-and-chop parts — giving you complete creative control over every horn part.

What's in each volume:

• Vol 1 — 4GB | 2,500 loops | 80–140 BPM | Am, Abm, Cm, Dm, E, Em - 10 song folders. The original Dread Hornz — classic 70s-inspired horn sections with 6 FX versions per loop.
• Vol 2 — 3GB | 1,284 loops / 257 one-shots | 78–140 BPM | D, Am, Em, Gm, A#m - 5 song folders. Continues the classic tradition with full sections and individual parts.
• Vol 3 — 3GB | 1,266 loops / 249 one-shots | 83–173 BPM | D, Dm, Am, Em, G - 5 song folders 3 minor and 2 major key songs spanning ska to steppers tempos.
• Vol 4 — 2.8GB | 788 loops / 108 one-shots | 71–145 BPM | A, G#m, G, Abm - 5 song folders. Introduces ska and modern steppers alongside classic roots.
• Vol 5 — 6GB | 1,017 loops / 295 one-shots | 71–140 BPM | Cm, Dm, F#m, G - 4 song folders. The largest volume — 1,000+ horn lines recorded without compression for natural dynamics.
• Vol 6 — 3.4GB | 819 loops | 81–136 BPM | B, Em, Ab - 3 song folders. 9 FX versions per loop, including the legendary RE-201 and EMT 140 plate reverb.
• Vol 7 — 4.4GB | 792 loops / 39 one-shots | 79–150 BPM | A, Dm - 3 song folders. One drop, steady rock, and rude boy styles — the full spectrum of reggae horn feel.

Performed by the Booom Hornz

Cédric Munsch (Tribuman) — trumpetist and trombonist. Studied at the Faculty of Musicology and Music Conservatory in Strasbourg, France. Has recorded and performed with Apple Gabriel (Israel Vibrations), Brinsley Ford (Aswad), Tippa Irie, Earl 16, Macka B, Fred Locks, Naâman, iLLBiLLY HiTEC, Midnite, Junior Murvin, General Levy, Omar Perry, and Glen Washington. In 2020, recorded for Reality Shock Records with Solo Banton, Errol Dunkley, and King Lorenzo, and began recording with Christian Cowlin — FOH/Sound Engineer for The Wailers since the 1990s — on projects including the Bob Marley Tracks Project with original Wailers and I-Threes.

Romain Pivard (Mux) — saxophonist. Studied improvised jazz music at the Music Conservatory in Strasbourg, France. Teaches saxophone, jazz, improvisation, and collective practice. Performs across jazz, hip hop, funk, reggae, and dub on stages in France, Switzerland, Belgium, Germany, Czech Republic, Netherlands, Estonia, and Latvia. Studio collaborator with artists worldwide.

Together as the Booom Hornz, Tribuman and Mux have recorded for Naâman, Courtney John, J&B Kings, Dubmatix, Chezidek, Micah Shemaiah, Solo Banton, Errol Dunkley, and many more.

Gear used: Benidub Filter, Moog Filter, Benidub Echo, UAD Roland Space Echo, UAD EMT Plate plugins, Soundtoys, Strymon Volante, Strymon Bluesky.